Wednesday, June 10th, 2026
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Article by:Katherine Guo

ACCM 2026 Opens in the Philippines, Calling Asian Churches Back to Disciple-Making

The Asia Conference on Church and Mission 2026 (ACCM 2026) officially opened on June 9 at GCF South Metro in Alabang, Metro Manila, bringing together approximately 210 delegates from 25 nations across Asia. Organized by the Asia Evangelical Alliance (AEA), this year's conference is held under the theme "Disciple or Die 3.0", and the rallying prayer drawn from Habakkuk 3:2: "Lord, I stand in awe of Your deeds. Renew Your work in these years.

Returning Memories to Ankang: A Norwegian Missionary Son's Homecoming

"I know that our sisters and brothers in China also pray for us here in Norway," wrote Rev. Johan T. Johansen, son of a Norwegian missionary to China. "By continuing the contact both ways, praying for each other, we hope that new generations will carry on our relationships to the glory of God's Kingdom."

'Faithful Unto Death': Remembering the Giants of Faith We Lost in 2025

In 2025, the global church bid farewell to many significant figures. For the church in China, we said goodbye to centenarian pioneers who carried the torch through the tumultuous 20th century, cultural scholars who bridged faith and society, and grassroots pastors who wrestled with theology in the soil of the local church.

Where to Worship in Shanghai: 5 Key English Services You Should Know

Shanghai offers a vibrant, legally established network of international fellowships. Whether you prefer the solemnity of a historic cathedral with pipe organ music or the energy of a modern band in a hotel ballroom, there is a place for you. To help you navigate, China Christian Daily has compiled this practical guide to the city's major Protestant foreign affairs worship services.

Missionary Lens Captures China’s First Color Documentary Amidst the Civil War

The footage, known today as “Color Old Ankang (1947),” is regarded as the first color documentary filmed in China. Shot by Norwegian missionary Karl Mortensen using a Kodak 16mm camera, the film offers a rare and vibrant window into the daily lives, religious activities, and social customs of Ankang just two years before the founding of the People’s Republic of China.
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