Chinese Christian Artist’s image to be the Lenten Curtain of Churches in Germany
By Eliana W. Ostine, February 16, 2016 08:02 AM
As the Saint Ashes Wednesday marking the beginning of Lent, the ecumenical churches are approaching the Easter 2016. The God and Gold, image by Daozi, a professional Chinese artist, is selected as the Lenten Curtain for Churches in Germany.
Together with the record of artists, the well-known image, God and Gold, will be exhibited in the 3000 churches in Germany.
The churches reported the agenda of Lent 2016 of Church in Germany.
In 2014, Daozi was invited to work for the Lenten Curtain(Lent 2015/2016) from MISEREOR, The German Catholic Bishops’ Organization for Development.
Professor Dao Zi (this is the artist’s professional name – his real name is Wang Min or Wang Samuel) was born in Qingdao in 1956. He teaches art theory and the history of Western art at the renowned Tsinghua University in Beijing. He is editor-in-chief of various art journals. Dao Zi is a Protestant Christian whose work focuses chiefly on Christian and biblical motifs. A professor of Western art history, critic, writer and poet, he is known to the public at large in China primarily as an art critic. He has made a crucial contribution toward the development of Chinese theory of art. The distinctive feature of Dao Zi’s work is that it has roots in both Western and Chinese art history. Drawing on traditional Chinese ink painting, he infuses this with Christian elements. He draws inspiration for his ink painting from meditation.
The image, God and Gold, is well known in China from last year.
The gold symbolizes Christ made human: He whom the builders rejected has become the head of the corner (Mk 12.10). He is God’s Son who has come to bring not peace on earth, but division (Lk12.51; Mt 10.34). He is the stone we run into, an annoyance that throws us off our stride, because He demands that we make a decision: Who is your Lord? Who do you serve? God or gold? God or mammon?
Yet the rock with the metallic shimmer also symbolizes gold in its many guises, which is the sole measure of economic action, which human beings hanker for and dedicate themselves to – an idol with magical powers of attraction. Human craving has turned water, earth and heaven grey: the world is not the way God wants it to be. We are used to making compromises, but where does the compromise end, and at what point is faith itself compromised? Faith is compromised when we attach ultimate value to things that we acquire, and give our hearts to them totally. This is the moment when idols are born. Each and every one of us is then required to make a decision: ‘You cannot serve God and mammon’ (Mt 6.24).
The black of the cross emphases the perspective of suffering and the fragility of human existence, but keeps a horizon of hope open: the dark colour changes – as does the grey – and gives off light to the onlooker in fine lines and patterns.
The three red seals on the arm of the cross pointing gently upward symbolize in various ways the nails of the crucifixion, and in their threefold character the triune nature of God. Christ is the visible manifestation of the triune and loving God. On this basis, God’s workings in the world and in history can be interpreted as God turning toward us and enabling us to overcome barriers (Acts 4.31-35), create unity and find new paths toward the common good. Human life is never just life; it is always life in communion.
Based on this understanding, the image invites us to see gold in the weakness of human life: to recognize the stone for what it is, with the cross and with the suffering and with the one who is hanging on it, and to behold in HIM the truth of God (Phil 2.5-11). Jesus set an example in the way that he lived: instead of directing his gaze upward, he turned toward those right at the bottom – those foundering and in dire straits.
More from CCD
Oracle bone inscriptions were written in the Shang Dynasty, which recorded the religious, cultural, military and other information of this ancient dynasty. The study of the inscriptions on bones is one of the popular studies on Chinese culture. However, more than 100 years ago, a missionary carried out studies on oracle bone inscriptions, becoming the first Western scholar of oracle bone inscriptions.
To commemorate the centenary of the publication of CUV Bible, a "Hand-written Bible Display" was held at the Chinese Chapel of Canhua Church in Yanji City, Jilin Province.
A criticism of the hypocrisy within the church and its leaders by a famous modern Chinese Christian novelist.
A famous Chinese novelist, Lao She, and his practice of faith in his works
After the novel about Samuel Pollard was released, Christian Times invited Huang to share his writing experience.
A review of the impact on Chinese Christians by the Union Version Bible and its translation.
Christian carved artist JIA Wenliang plans to hold a "Love, Peace, Gratitude" carved Bible series art tour across the country in 2020.
An Artifacts display by Chinese Catholic artists in Beijing collected from the Vatican.
Chongqing's Sheng'ai Protestant Church held its first reading and sharing workshop.
From a cognitive point of view, the falsehood of "New Heaven and Earth" is obvious, but why can such obvious heresy still have such a serious impact on Chinese church?